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Margareta Seuerling : ウィキペディア英語版 | Margareta Seuerling
Margareta (or Margaretha) Seuerling, née Lindahl, (1747–1820), was a Swedish actress and Theatre director in a travelling theatre company, perhaps the most known travelling actress of her time in Scandinavia, active in both Sweden and Finland. She was one of the very first, perhaps the first, to introduce secular theatre in Finland; her family and its company represents a large part of the theatre-history in Sweden and Finland. == Background and childhood ==
Born as the daughter of Peter Lindahl and Margareta Maria Fabritz, who belonged to the first generation of Swedish actors at the theatre of Bollhuset and was both members of the board of directors of the theatre. She herself became the second generation of Swedish-speaking actors; before this time, only foreign actors had performed in Sweden, but between 1737–1753, the first Swedish actors were allowed to perform in the theater of Stockholm. In 1753, the Swedish actors were fired by queen Louisa Ulrika of Prussia, who replaced them with a French theatre company. The Swedish company split in two; one, the Stenborg Troupe under Petter Stenborg, who performed on smaller stages in Stockholm, and the second under Johan Bergholtz (who died 1774) and her father, Peter Lindahl, who was given royal permission to play in the countryside, touring the countryside as a travelling theatre-company; it was the biggest travelling theatre company in Sweden, and from 1760, he dominated the stages of the city of Gothenburg, whose first real theater, Comediehuset, was not built until 1779. Among his actors were many actors earlier active at the theater of Bollhuset, such as Johanna Catharina Enbeck, "madame Gentschein" and Petter Öberg, both later members of Petter Stenborgs company, and Catharina Sophia Murman, the wife of Johan Bergholt'z, who left the troupe with her husband in 1755, when Lindahl's partnership with the more adventurous Bergholtz, who was arrested for seduction, was broken. Margareta performed in her parents' troupe as a child in the 1750s, it is not known exactly from when, but in 1795, she herself stated that she had been on the stage for forty years, which would mean that she had performed since 1755; since the age of eight.
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